The Mozart Forgeries

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Review: Stanley Sadie
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It’s just as well that Dan Leeson is an honest man. If he weren’ t, he could surely make millions of illicit dollars: for his book The Mozart Forgeries shows that he has the boldness of ideas and the masterly command of detail needed to pull off a spectacular act of forgery.

This book – and let me warn you that once you pick it up you won’ t be able to put it down till 318 pages later – is an account of how two men seek to enrich themselves by such an act. It involves the ‘rediscovery’ of two of the most precious of the lost Mozart manuscripts. Dan Leeson knows, from his own research, just what is involved in constructing manuscripts that could pass for Mozart’s own, and also in devising plausible circumstances for their rediscovery and their launch on to the world of Mozart scholarship and music antiquarianism.

It’s a fascinating story, underpinned by serious scholarship but related with enormous vitality and sense of fun. And like all good thrillers it has unexpected twists in the tail. Every Mozart-lover will want to read it, and will learn while doing so, but you don’t have to be a Mozartian to be intrigued by this gripping and entertaining book. . . . Stanley Sadie, Editor The New Grove Dictionary of Music and Musicians, 1980 and 2001 editions   Author of several books and hundreds of articles on Mozart